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Women's Media
III. Women's Media Articles & News
IV. Women's Media History Resources
Women Riding Waves
A discussion of women on the radio
By Laura Forester, WIFP
“Do you not know I am a woman? When I think, I must speak.” Shakespeare so aptly captured the nature of a woman’s desire to voice her opinion. This desire for an exchange of ideas and voice are the foundations and motivations that brought women into the world of communication.
On the waves of the radio, the voices of women can be heard cultivating innovative ideas about progress, encouraging others to broaden their horizons, and enjoying the shared intimacy of laughter. Communication and commitment to media democracy has allowed for the flourishing of women in broadcasting.
Eleanor Roosevelt is probably the most well-known commercial radio broadcaster from the 1930s and 1940s. Her ability to obtain this type of prominent position was very much due to her place as First Lady (1933-1945). Although she had a shoe in because of her status she opened doors for women who were unrecognized in the patriarchic industry. Mrs. Roosevelt's work raised societal awareness.
Women in atypical occupations, like newsreaders, during these early days of radio, encountered the lack of privileges we have today. Women faced the hardship of not having equality legislation and uninhibited critical attacks by journalists who believed that radio should be a man's job. Despite opposition, women refused to accept a limited voice.
Women were involved in broadcasting from the onset of the industry, including pioneers like Mrs. Roosevelt. However, the awareness of these women and their positions are not as acknowledged as they should be. Historians tend to concentrate on the technological expansion, which was mainly conducted by male inventors, and tend to by pass the important and necessary contributions of the women of early broadcasting.
Now, there are multiple women in multiple fields of communications. However, these women, mostly, are still working at companies that are still owned by men. There are few who are voicing their opinions and demanding proper appreciation.
These women are succeeding, but what is more significant, is they proved to skeptics that when given the chance, a qualified woman could get the job done. Their efforts earned the respect of their industry, and they served as role models in a society where few young girls thought they could ever work in the media.
The achievements of media pioneers need to be remembered. Currently, there is an imbalance in the media work force that also needs to be voiced and brought into awareness.
Media organizations have been formed to address the absence of female-friendly talk programming on commercial radio today. Despite this want for women owned shows, rarely are women found to be hosts of their own shows, and hardly any of the program directors responsible for programming are women.
In a report by Edie Hillard, on the status of women in the radio industry, some staggering information was found.
Stations Owned by MEN WOMEN TOTAL
Number 11,401 483 11,884
Percent 96.6 % 3.4% 100%
Advertisers love reaching women – and what better than an audience that is hanging on every word? Women buy 83% of all products and services, make 53% of all investment decisions, and start over 70% of new businesses. Why the discrepancy in radio airtime?
The radio industry is a highly concentrated industry, and so unfortunately, more female-based shows cannot get carriage on stations owned by most of the major radio groups. These independent women are mostly in small markets, making it almost impossible to prove that the concept of feminist ideas on major waves works. GreenStone Media, an organization founded by Gloria Steinem and Jane Fonda, reached out to create broadcasting that fulfilled the need for female inspired and produced radio programs. This organization created great programming, tragically, it, like other independent women organizations, did not have the capital to press on. GreenStone Media discontinued broadcasting in August 2007. At their height, GreenStone produced 63 hours per week of live, female-targeted talk programming to radio station affiliates.
For those who desire to have more women riding radio waves, let your local radio station know how much you enjoy those kinds of programs, and encourage them to have the great courage to provide their markets with new and innovative programming.
Women need a voice on commercial radio, and radio needs women’s voices.
All others have to do is listen!
__________
RADIO AND WOMEN: A Report on the Status of Women In the Radio Industry
By Edie Hilliard
2532 E. McGraw Street
Seattle, WA 98112
206 329 6058
ediehilliard@comcast.net
http://www.radiomiw.com/
Women's Radio Fund
PO Box 242048
Memphis, TN 38124
USA
Website: http://www.womensradiofund.org
IV. History of Women's Media
Online: A History of Women's Media (1963-1983) by Martha Allen
Online article on Women of Color Media, 1968-1988, by Kimberlie Kranich
Dr. Danna Walker published an article in the Spring 2007 issue of American Journalism, A Journal of Media History entitled "They Had a Satellite and They Knew How to Use It: How Donna Allen Led Women to the Forefront of the Technological Revolution in Communication."
Women's Periodicals in the United States, Social and Political Issues, edited by Kathleen Endres and Therese Lueck (Greenwood Press, CT, 1996) is another great resource for the history of women's media. This invaluable book includes chapters on some the earliest women's periodicals along with ones that arise in the late 1960s and thereafter.
For a listing of women's periodicals published in Washington, DC, between 1974 and 2003, click here.
Some historic women's media are still available, including:
No More Fun and Games: A Journal of Female Liberation
Black Belt Woman: The Magazine of Women in the Martial Arts and Self Defense
Historic Originals program of WIFP: Media Report to Women(1972-1987), Directory of Women's Media (1975-1989, 2002-), The Celibate Woman, A Journal for Women Who Are Celibate or Considering This Liberating Way of Relating to Others (1982-1988), Paid My Dues, A Journal of Women and Music and more.